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Byzantine Cloisonné Enamel
Byzantine cloisonné enamel used fine gold wires to outline forms on a metal body, filled with colored glassy glazes and fired at high heat to make cr…
Timeline
- 901–1030Constantinople court workshops · Byzantine EmpireIn the tenth century the Macedonian dynasty promoted a revival of church art; Constantinople workshops made icon plaques, crosses, and crown decorations in cloisonné, with gold-foil grounds and translucent glazes layered in firing to give icons a sacred radiance, establishing the enamel aesthetic of the middle Byzantine period.
- 1031–1040Hagia Sophia and the court in Constantinople · ConstantinopleIn this period the court and church commissioned jeweled cloisonné reliquaries, crosses, and icon plaques for imperial coronations, diplomatic gifts, and the veneration of saints' relics. Monasteries in mainland Greece also produced refined enamel plaques closely tied to Hagia Sophia and court ritual.
- c. 1040–1201Orthodox world of the Balkans and Kievan Rus' · Orthodox worldByzantine cloisonné models spread through marriages, tribute gifts, and church connections to Serbia, Bulgaria, and Kievan Rus', becoming standard decoration in Orthodox treasuries. Byzantine enamel masterpieces in the treasury of St Mark's in Venice also attest to its status as an imperial craft export.
Sources
- Byzantine Enamels in the Collection of the Walters Art Gallery — M. C. Ross (1963)
- The Glory of Byzantium: Art and Culture of the Middle Byzantine Era, A.D. 843-1261 — Helen C. Evans and William D. Wixom (1997)