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Byzantine Mosaic Art Tradition
The Byzantine Empire developed a visual art tradition of decorating churches, palaces, and public buildings with colored glass and stone tesserae, em…
Timeline
- 500–600Hagia Sophia, Constantinople · ConstantinopleBuildings such as Hagia Sophia and San Vitale were decorated with large-scale gold-ground mosaics on their domes and half-domes, establishing the classic Byzantine mosaic paradigm in theological narrative, effects of light and color, and spatial vision, influencing imperial art for centuries.
- 1161–1170Constantinople and churches of Asia Minor · ConstantinopleDespite repeated earthquakes and fires in the mid-twelfth century, Manuel I continued to sponsor new and restored churches; mosaic workshops in the capital and in Nicaea, Nicomedia, and elsewhere continued to produce icons and decorative bands, with a style trending toward the more linear and humanized Komnenian aesthetic.
Sources
- Byzantine Art and Renaissance Europe — Robin Cormack (2013)