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Genroku Culture
Genroku culture refers to the artistic peak of the Genroku era (1688–1704), centered on townspeople in Edo, Osaka, and Kyoto.
Timeline
- 1688–1693Osaka · OsakaAround the Genroku era change, Osaka's publishing market expanded, and Saikaki's ukiyo zoshi such as Nihon Eitaigura and Seken Munegayomi mirrored merchant fortunes and pleasure-seeking life; Kamigata kabuki and jōruri competed, with townspeople as the main audience.
- 1689–1694Edo · KantōBashō completed his Ōu journey and refined Bashō-style haikai; Edo ukiyo-e and kabuki theaters further popularized. Saikaki died in 1693 and Bashō in 1694, the two literary peaks of the first half of Genroku closing almost simultaneously, though their styles had become symbols of the age.
- 1703–1704Kyoto and Osaka · KansaiIn 1703, Chikamatsu's Sonezaki Shinjū and other sewa jōruri caused a sensation in Kamigata, marking the culminating climax of Genroku townspeople tragedy. In 1704 the era changed to Hoei, ending Genroku as an era name, but ukiyo aesthetics and the theater system continued to dominate subsequent Edo culture.
Sources
- Encyclopaedia Britannica (2024) https://www.britannica.com/event/Genroku-period
- Encyclopaedia Britannica (2024) https://www.britannica.com/art/Japanese-literature/Early-Tokugawa-period-1603-c-1770
- Japan in Print: Information and Nation in the Early Modern Period — Mary Elizabeth Berry (2006)