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Tibetan Buddhist Thangka
Thangka, meaning 'cloth painting' in Tibetan, are religious images painted with mineral pigments on silk or cotton for worship, teaching, meditation,…
Timeline
- 1040–1300Shalu Monastery · TibetShalu school art absorbed the fine lines of Nepalese Newar painting and Chinese coloration, forming an early classic style of Tibetan thangka; murals and cloth paintings together provided visual models for monastic religious education.
- 1351–1360Sakya Monastery · TibetUnder Yuan court protection, the Sakya school oversaw religious affairs in Tibet; monastery workshops mass-produced thangkas of lineage masters, mandalas, and protector deities, standardized iconometric proportions, and established lineages of painters, making thangka a transregional Buddhist gift and ritual object.
- 1357–1419Lhasa · TibetAfter Tsongkhapa founded the Gelug school, monasteries such as Ganden, Drepung, and Sera established painting academies; thangka subjects expanded to Gelug lineage masters and protector systems, and the style became more solemn and regular, influencing later mainstream Tibetan painting schools.
- 1601Potala Palace and the Forbidden City · TibetAfter the Qing invested the Dalai Lama, the Beijing Imperial Workshops cooperated with Tibetan painting academies to produce court thangka; in modern times thangka became a core category of Himalayan art research and was inscribed on multiple intangible cultural heritage lists.
Sources
- Wisdom and Compassion: The Sacred Art of Tibet — Marylin M. Rhie and Robert A. F. Thurman (1996)